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Years, compositions

Life events

Compositions

1940

1940

Hospitalised for frostbite on the Karelian Isthmus.
Music for the film God’s Storm

1941

1941

Premiere of the Suomenlinna Overture at a concert by the Swedish Radio Symphony Orchestra conducted by Tor Mann in Stockholm on March 21.

Following the outbreak of war, leaves his summer home at Lyökki in the Uusikaupunki archipelago. Fights in the Continuation War of 1941–1942.
Blue Roses, Men of the Sea

1942

1942

Home from the war in February 1942. Civil defence duties around Lallukka in Helsinki.

1943

1943

Third concert of his works on October 29, conducted by Toivo Haapanen. Programme: the final, five-movement version of the Kalevala Suite, the 1st version of the Violin Concerto and Opernredoute. Soloist Anja Ignatius with the Helsinki Philharmonic Orchestra. Yrjö Suomalainen writes in Uusi Suomi: “Full house at the University Hall and great enthusiasm, many, many curtain calls and magnificent bouquets. All convincing proof that Klami has ‘arrived’.”

Stage and costume designer Regina Backberg starts writing a libretto and sketching the stage designs for a ballet.

1930–1933/1943

Kalevala Suite

1944

1944

Regina Backberg sends Klami (who is at Lyökki) the first draft of a libretto for a ballet that later forms the basis for the music of Whirls, which he never completed.

The Finnish Cultural Foundation awards him a grant of 150,000 marks.

Premiere of the Sérénades espagnoles at a concert given by the Helsinki Philharmonic Orchestra conducted by Martti Similä on December 1.
Sérénades espagnoles, Banks of the River, overture to King Lear

1945

1945

Member of the recently formed Society of Finnish Composers 1945–1947.
Symphony No. 2, music for the play The Prodigal Son

c. 1945

Humoresque, Chanson triste

1946

1946

Fourth concert of his works in the Conservatory (nowadays the Sibelius Academy) Hall on December 15, 1946. Toivo Haapanen conducts the Helsinki Philharmonic Orchestra. Programme: Cheremissian Fantasy, and premiere of Symphony No. 2 and the King Lear overture. “Klami’s lush, extravagant orchestral vision sometimes makes it difficult for the listener to follow the ‘plot’, writes Väinö Pesola of the symphony. People are astonished at the reference in the symphony to the march tune ‘Kauan on kärsitty vilua ja nälkää’ (Long have we suffered from cold and hunger).

Summer cottage on the Virolahti island of Kujaholm is completed.

Grant of 50,000 marks from the Sibelius Fund.
The Cyclist, Suite for Small Orchestra, music for the play Blood Wedding.

1946–1948

Aurore boréale – The Northern Lights

1947

1947

Working member of the Kalevala Society.
A Karelian Market Place

c. 1947

Music for the play The Emperor Jones

1948

1948

Premiere of the orchestral fantasy Aurore boréale at a concert by the Helsinki Philharmonic Orchestra conducted by Jussi Jalas on November 5.

1949

1949

Founding member of the Finnish Contemporary Music Society

Premiere of A Karelian Market Place overture at a concert by the Helsinki Philharmonic Orchestra conducted by János Ferencsik on February 18. Works by Erik Bergman and Nils-Eric Ringbom also on the programme.

Six-month stay in Paris in the autumn. Sends Helsingin Sanomat letters about musical life in the city addressing such things as composing a ballet, and commenting on the music of Messiaen and Jolivet.

1950

1950

Grant of 100,000 marks from the Sibelius Fund.

The programme for his 50th birthday concert on September 29 consists of the Suomenlinna overture, the premiere of the 2nd Piano Concerto, and the Kalevala Suite. The Helsinki Philharmonic Orchestra is conducted by Jussi Jalas and the soloist is Timo Mikkilä. Joonas Kokkonen writes in Kauppalehti: “He has not marked time, has not been content with the ground once covered and instead has aspired towards ever new results, while still remaining fundamentally true to himself.”
Concerto for Piano and String Orchestra No. 2

1951

1951

Fazer publishes the score of the Kalevala Suite.

A concert on June 20 by the Radio Orchestra in Sibelius Week includes the movements The Sprout of Spring, Terheniemi and The Forging of the Sampo from the Kalevala Suite, with Nils-Eric Fougstedt conducting.
All’Ouvertura

1952

1952

Grant of 100,000 marks from the Sibelius Fund.
Tune

1953

1953

Helsinki Philharmonic Orchestra audience votes Klami the second most popular of all composers, and of Finnish composers second only to Sibelius.

The concert during Sibelius Week on June 11 by the Helsinki Philharmonic Orchestra conducted by Tauno Hannikainen includes The Visit to Vipunen.
Hamina Song

1953–1954

Concerto for Violin and Orchestra (2nd version), Tema con 7 variazioni e Coda per violoncello ed orchestra

1954

1954

Second prize in the competition for a concerto composition held by the Finnish Cultural Foundation for Tema con 7 variazioni e Coda per violoncello ed orchestra.

Premiere of the 2nd version of the Violin Concerto at a concert by the Helsinki Philharmonic Orchestra on April 9. Conductor Heinrich Hollreiser and soloist Anja Ignatius.

The Kalevala Suite is performed at a concert during Sibelius Week by the Helsinki Philharmonic Orchestra on June 11. Conductor Tauno Hannikainen.

1955

1955

Premiere of Tema con 7 variazioni e Coda per violoncello ed orchestra at a concert by the Helsinki Philharmonic Orchestra on October 7. Conductor Tauno Hannikainen and soloist Esko Valsta.

King Lear overture at a concert during Sibelius Week by the Helsinki Philharmonic Orchestra on June 14, Conductor Tauno Hannikainen.
Song for Kymi

1956

1956

Third prize (the first two both went to Aarre Merikanto) in a composition competition held by the Finnish Cultural Foundation for The Song of Lake Kuujärvi, a setting of a poem by Yrjö Jylhä.
Residues of the Song, The Song of Lake Kuujärvi

1957

1957

Premiere of The Song of Lake Kuujärvi at the annual gala of the Finnish Cultural Foundation on February 27 and its first concert performance by the Helsinki Philharmonic Orchestra on March 8. Conductor Tauno Hannikainen and soloist Matti Lehtinen.

A member of the Finnish delegation at the 2nd assembly of the Composers’ Union of the USSR. Writes a report in Helsingin Sanomat on April 13 that causes quite a stir. Says of the speech made by the Union’s Secretary Tikhon Khrennikov, “It was one of the most exhaustive and longwinded reviews one is generally obliged to listen to. Khrennikov’s speech lasted over three hours and in this respect alone demonstrated exceptional powers as a speaker. The words flowed like the water in a river. When it was over, Mr Khrennikov looked slightly pale, but otherwise in very good shape. – To the ‘social realist’ regime, the speaker was nothing but positive and it gave its unconditional approval of music that represents this trend.”

The Song of Lake Kuujärvi at a concert on June 14 by the Radio Symphony Orchestra during Sibelius Week. Conductor Jussi Jalas, soloist Kim Borg.
Little Suite

(1944-) 1957-1960

Whirls

1958

1958

Member of the Board of the Society of Finnish Composers 1958–1961.

First prize for a ballet in the Wihuri opera and ballet competition for the piano score of Act 1 of Whirls.

1959

1959

Appointed a member of the Academy of Finland on May 8.

Helsingin Sanomat’s silver Freedom of Speech medal.

1960

1960

Premiere of Scenes from the ballet Whirls at a concert by the Radio Symphony Orchestra on April 5. Conductor Jussi Jalas.

All’Ouvertura, Violin Concerto (2nd version) and the Kalevala Suite at his 60th birthday concert by the Radio Symphony Orchestra conducted by Tauno Hannikainen. Soloist Ion Voicu.

“Discovery” of Psalmus at a concert by the Radio Symphony Orchestra, the Radio Choir and the Eteläsuomalainen Osakunta singers on December 13. Conductor Ulf Söderblom, soloists Marja Eskola and Matti Lehtinen.
1960–1961

The Golden Staff

1961

1961

First Vice-Chairman of the Kalevala Society 1961.

Klami’s last completed work, the cantata The Bearer of the Golden Staff for the degree ceremony of the Helsinki School of Economics and Business Administration, to words by P. Mustapää. Premiere at the ceremony on May 19. Tauno Hannikainen conducts the Helsinki Philharmonic Orchestra and the Academic Choral Society with Marja Eskola and Kari Nurmela as the soloists.

Arrives in Virolahti for the summer and dies there on May 29.

© Helena Tyrväinen